Oh, definitely. The townsfolk are very specific in what they want from Christy, and that in turn makes malleable, imaginative Christy present himself in a way likely to impress them. Intriguing theme from a 1907 play, as the way celebrity culture consumes/devours/discards celebrities seems far more timely now.
*spoilery*
One of the major differences between the play and the film is Peg's story and how she ends up. The film gives her a reach-for-your-dreams ending in a way the play does not, and I find that very intriguing. Christy, flawed as he is, carries the burden of dream-reaching and excitement for everybody else, and Peg's flight is inspired by him, even if she's rejected the man himself.
Oh, it's really interesting that you like the ending! I'm very torn about it, as, sure, running away (even to Canada) is not always the best way to overcome adversity and find your way, but I fear his newly strengthened backbone isn't enough to make life with his dad good. And I want his life to be good. Very good indeed. <3
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timeasmymeasure
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Date: 2008-07-16 09:19 pm (UTC)*spoilery*
One of the major differences between the play and the film is Peg's story and how she ends up. The film gives her a reach-for-your-dreams ending in a way the play does not, and I find that very intriguing. Christy, flawed as he is, carries the burden of dream-reaching and excitement for everybody else, and Peg's flight is inspired by him, even if she's rejected the man himself.
Oh, it's really interesting that you like the ending! I'm very torn about it, as, sure, running away (even to Canada) is not always the best way to overcome adversity and find your way, but I fear his newly strengthened backbone isn't enough to make life with his dad good. And I want his life to be good. Very good indeed. <3